‘There’s good money to be made here’

Original article written for The Local Denmark, available here

With over one million litres of beer consumed at your average Roskilde Festival, the mess from empty cans and bottles left behind is an issue that draws attention every year. Yet the revenue that can be generated by collecting and recycling the receptacles is significant, thanks to the Danish deposit system.
That promise of money literally being tossed on the ground draws hundreds of can collectors – many from Africa and the Roma community – to the festival each year. It’s estimated that a single collector can make up to 60,000 kroner in deposit money over the course of the full eight days.
Collectors can make good money, but they have to navigate an unregulated environment. Photo: Bobby Anwar
Collectors can make good money, but they have to navigate an unregulated environment. Photo: Bobby Anwar
Yet the life of a can collector, whilst well-paid and tax free, is anything but comfortable. Amongst the maddening crowds and mosh pit frenzies they bend, laden with plastic bags filled with empty soda and beer containers. Theirs is a life amongst an underclass in an world whose rules are far from fairly regulated.
Invariably, their work is not without racist abuse from time to time. Yet despite the grumblings of some festival guests, these collectors keep the Roskilde grounds and their environs far cleaner than they otherwise would be.
Like many a festival-goer, I will admit that it can be annoying to have bags of dripping beer spilled on one’s clothes whilst enjoying a good show or relaxing on the camping grounds. And the pressure of having a can collector waiting anxiously for one to down their beverage does create some frustration. All the same, the mess from all the merrymaking needs to be cleaned by someone at some point.
Meet Peter from Nigeria
In an attempt to understand the world of can collection, I spent some time with Peter, a bottle collector from Nigeria, who collected cans at Roskilde for the first time this year. I followed him around the camping grounds for a short while, as he introduced me to his working routine and shared some of his thoughts on the nature of his work.
Peter from Nigeria spends up to 15 hours a day collecting cans and bottles. Photo: Allan Kortbæk
Peter from Nigeria spends up to fifteen hours a day collecting cans. “Some festival guests are aggressive,” he says. Photo: Allan Kortbæk 
“The festival is amazing but at the same time I’m working a lot, sometimes up to fifteen hours a day,” he said. “There’s good money to be made here but you have to work a lot for it.”
“What is the most difficult part of your job?”
“Sometimes when you approach people – I can’t call them clients because we’re not selling, you know –  some are aggressive. This is normal, somehow we are inferior to them. We have to be strong so we don’t feel the impact of this.”
“There is also the fact that we have to return a maximum of 50 pieces per empty sack. When you’re out collecting, you don’t have time to think about this so you have to sort thing out a lot afterwards.”
I shadow Peter for a short while as he makes his rounds in the Roskilde Festival West camping area. On this brief journey, we manage to gather a few isolated cans and the odd bottle. The camping area is at its quietest, so this is fairly straightforward and without trouble. Peter remarks that this is not always the case, however, stating that it is obviously more difficult to collect cans when the party is in full swing.
The bottle and can collectors work all areas of the festival, from the campgrounds to the areas right in front of the stages. Photo: Bobby Anwar
The collectors work all areas of the festival, from the campgrounds to the areas right in front of the stages. Photo: Bobby Anwar
Collectors get their own VIP lounge
So the life of a can collector, at least from Peter’s perspective, is not without its challenges, even though, as he contends, there is good money to be made.
This year, Roskilde attempted to mitigate some of the challenges posed by the can collection process. I took a look at one of them, the VIP can collector lounge in the Art Zone. A product of the well-known artistic group Superflex, the Flagship Shelters/Bottle Collectors VIP project features several shelters made on designs based on the flagship stores of major fashion brands such as Prada and Miu Miu. The shelters are made from cheaper materials and downscaled from the original extravagant designs, in an aim to create a discourse on matters of consumption, social injustice and resource prioritization. The area is well staffed and frequented by many a bottle collector though the main lounge area does have more tired festival-goers than bottle collectors lying around.
 
Photo: Bobby Anwar
Photo: Bobby Anwar
The bottle collectors were given their own VIP lounge in the Art Zone, which doubled as an art installation at night. Photos: Allan Kortbæk
The bottle collectors were given their own VIP lounge in the Art Zone, which doubled as an art installation at night. Photos: Allan Kortbæk
On the surface, some of the issues of can collection are indeed raised by this installation. However, most of the festival-goers I met here seemed comfortably unaware of what it was and the palpable gap between can collectors and Roskilde festival’s guests was still painfully apparent.
This is not to say that the efforts of the festival should not be credited. Compared to previous years, Roskilde has indeed made significant attempts to address the issue of can collection, for example by ensuring that refund points are well staffed and that the process is more regulated.  The issue is indeed in focus, but can more be done to address the fundamental problem areas?
Throughout the eight-day party, the guests and the collectors complete a symbiosis as can after can is opened, drank, disposed of, collected and returned.
While Roskilde’s 100,000-plus crowd kept the good times rolling, can collectors like Peter continued to earn their keep beneath their dancing feet.
Collectors can earn as much as 60,000 kroner over the course of the festival. Photo: Allan Kortbæk
Collectors can earn as much as 60,000 kroner over the course of the festival. Photo: Allan Kortbæk

 

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The best concerts of Roskilde Festival 2016

Befitting the diversity of the line-up, there are precious few overlaps in our three writers’ picks for the best concerts at this year’s Roskilde Festival. Performances from all six stages and on all four of the festival’s main musical days made the cut.
From legendary acts to Colombian experimental rock and UK grime – and just about everything in between – here are our selections for the best performances.
Justin Cremer’s top five picks
1. Neil Young + Promise of the Real (Orange, Friday)
Neil Young played a three-hour set on Orange. Photo: Nils Meilvang/Scanpix
Neil Young played a three-hour set on Orange. Photo: Nils Meilvang/Scanpix
From the opening keys of ‘After the Gold Rush’ through the 30-minute extended jam encore performance of ‘Love and Only Love’, Neil Young put on a commanding, thunderous performance. Mixing old favourites like ‘Alabama’, ‘Words’ and ‘Unknown Legend’ with newer tracks like ‘Mother Earth’, Young and his excellent backing band Promise of the Real put on a show that was quite possibly the best I’ve witnessed on the legendary Orange stage.
2. Kvelertak (Avalon, Thursday)
Kvelertak played a chaotic, cathartic late night set at Avalon. Photo: Justin Cremer
Kvelertak played a chaotic, cathartic late night set at Avalon. Photo: Justin Cremer
There were an estimated 7,000 Norwegians at this year’s festival and at times during this Stavanger band’s wild and raucous late night set, it felt like I was surrounded by all of them. This was without a doubt the highest energy interaction between band and audience that I had the pleasure of being a part of.
3. Savages (Avalon, Thursday)
A terrible photo of a great show by Savages. Photo: Justin Cremer
A terrible photo of a great show by Savages. Photo: Justin Cremer
When I saw Savages play the Pavillion stage in 2013, it was one of that year’s most pleasant surprises. Three years later and on the larger Avalon stage, the London-based quartet blew me away again with their mix of attitude, sexiness and intensity.
4. Sleep (Avalon, Wednesday)
The midnight set from doom pioneers Sleep was near the top of my list going into Roskilde, and it certainly did not disappoint. This was an absolutely hypnotizing set that provided the perfect ending to the festival’s opening night.
5. Gojira (Arena, Saturday)
Gojira kept the festival's final day going strong. Photo: Justin Cremer
Gojira kept the festival’s final day going strong. Photo: Justin Cremer
I had heard good things about this French prog/technical metal band’s live performances for years and now I know why. Even though the band apologized several times for being a bit “rusty”, their Saturday evening set was a blistering display of tight musicianship and crunching grooves. The band might not have felt like they had delivered their best, but for me Gojira lived up to the hype.
Chris Manion’s top five picks:
1. Sleep (Avalon, Wednesday)
Sleep at Apollo. Photo: Justin Cremer
Sleep played behind a wall of fog and lights at Apollo. Photo: Justin Cremer
I sceptically joined a group to see the band Sleep with no prior knowledge of them or ‘stoner doom metal’. As soon as we were about 50 metres from the show, I could sense perfect harmony between the music and the audience. It was this symbiotic relationship that some artists simply failed to capture in the same enigmatic style. The music was expressing a shared feeling, a collectiveness, and that is what Roskilde Festival is essentially about, being together for the love of music.
2. Neil Young + Promise of the Real (Orange, Friday)
One legend meets another: Neil Young on Orange. Photo: Justin Cremer
One legend meets another: Neil Young on Orange. Photo: Justin Cremer
The 70-year-old Canadian legend delivered a breathtakingly energetic performance. The show progressed from heartfelt renderings of classics such as ‘Heart of Gold’ to a full throttle rock’n’roll experience like no other.
3. MØ (Orange, Saturday)
Danish superstar MØ on Orange. Photo: Sara Gangsted/Scanpix
Danish superstar MØ on Orange. Photo: Sara Gangsted/Scanpix
The Danish international star came to the Orange stage on the final evening of Roskilde 2016. There were many festival-goers looking defeated and deflated, a tough crowd to bring alive. As soon as MØ came to the stage, it all changed. She brought a passion and energy that could not be topped by many other artists in the world.
4. Courtney Barnett (Avalon, Thursday)
Courtney Barnett at Avalon. Photo: Ólafur Steinar Gestsson/Scanpix
Courtney Barnett at Avalon. Photo: Ólafur Steinar Gestsson/Scanpix
A first-time Roskilde Festival experience for the young Australian singer-songwriter and she did not disappoint. She gave festival-goers a powerfully sincere performance. Many times throughout the show, you could see that this was still a 28-year-old playing songs that openly confess her deepest fears and regrets. That humility gave the performance a beautifully personal touch.
5. Mac DeMarco (Arena, Friday)
Mac DeMarco at Arena. Photo: Ólafur Steinar Gestsson/Scanpix
Mac DeMarco at Arena. Photo: Ólafur Steinar Gestsson/Scanpix
The cheeky Canadian up-and-coming star strutted on the stage with unabashed confidence, and then looked at the audience like a naughty schoolboy and gave his famous gap toothed smile. From then on, it was a fun, energetic and charismatic performance.
Allan Mutuku-Kortbæk’s top five picks
1. House of Pain (Orange, Thursday)
Old school rappers House of Pain showed that they still have the skills. Photo: Mathias Løvgreen Bojesen/Scanpix
Old school rappers House of Pain showed that they still have the skills. Photo: Mathias Løvgreen Bojesen/Scanpix 
The guys that brought us the legendary ’Jump Around’ tune rocked the Orange stage to its core during their Thursday afternoon performance. Who would have thought that a hip-hop mainstay such as this would play Johnny Cash’s ’Walk The Line’ in their set?  Schoolboy Q and Young Thug should take notes from these OGs.
2. Tame Impala (Arena, Friday)
Tame Impala put on one hell of a party on Friday night. Photo: Mathias Løvgreen Bojesen/Scanpix
Tame Impala put on one hell of a party on Friday night. Photo: Mathias Løvgreen Bojesen/Scanpix
Australians Tame Impala are a class act and have grown in presence and stature since their previous appearance at Roskilde a few years ago. Backing their performance with an impeccable light show and a ton of confetti, they were simply insurmountable on the Arena stage.
3. Los Pirañas (Gloria, Saturday)
Los Pirañas gave a commanding performance on the intimate Gloria stage. Photo: Allan Mutuku-Kortbæk
Los Pirañas gave a commanding performance on the intimate Gloria stage. Photo: Allan Mutuku-Kortbæk 
Colombia’s Los Pirañas churned out an endearing stream of psychedelic rock fused with South American influences that blew the roof off the intimate Gloria stage. Hats off to the stage crew for outfitting the stage with an epic light show to match an assured performance.
4. Tenacious D (Orange, Thursday)
Tenacious D gave a weird but wonderful post-midnight show on Orange. Photo: Nils Meilvang/Scanpix
Tenacious D gave a weird but wonderful post-midnight show on Orange. Photo: Nils Meilvang/Scanpix  
Honestly, I’m not a Jack Black fan and even after his momentous performance at Orange, I still have my doubts about the man’s sanity. Credit is due to him, however, for providing a fun and at times mesmerising show amidst the rain. Where others would have stumbled, Tenacious D were sure-footed, weird and even wonderful.
5. Elf Kid (Apollo, Saturday)
Elf Kid's early afternoon set helped wake up the Apollo crowd. Photo: Allan Mutuku-Kortbæk
Elf Kid’s early afternoon set helped wake up the Apollo crowd. Photo: Allan Mutuku-Kortbæk
Grime’s renaissance was reflected in Roskilde’s bookings this year. Of those on the billing, South London’s Elf Kid was, for me, the most impressive of the lot. Backed by his DJ, the kid spat out one lyric after another before getting bare-chested in the early Saturday afternoon chill, encouraging everyone to banish their hangovers to mere memory.

From Russia with love: Snowden addresses Roskilde

Broadcast live from Moscow, Snowden seemed to be in good spirits for a man who has spent the last few years in exile.
Roskilde Festival announced Snowden’s address earlier this month, billing it as a perfect fit for this year’s theme of human rights. Critics have since hailed the move as something that has added depth to this year’s festival by creating a discourse around the subject of privacy.
Formally dressed and courteous in his demeanour, Snowden’s address was hinged on answering several questions pitched by members of the Roskilde Festival public and moderated by the performance art group The Yes Men.
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These queries had been raised in relation to several controversial privacy statements that had been deliberately placed around the festival with the intention of promoting the event.
The former CIA employee focused on the issue of privacy, arguing “it is not something to hide but something to protect,” and billing it as “the foundation of all other rights.” In his opening statements, Snowden also questioned governments’ Machiavellian “the ends justifies the means rhetoric,” equating it to the policies of Nazi Germany.
Snowden then went on to address questions on the power dynamics associated with the data gathering policies of the United States, which by and large can extract the private data of any individual without legal consent and simply by “knocking on the doors of Google and Facebook.”
Driving his point home, Snowden questioned the legitimacy of such privacy-violating policies, citing that whilst they have run for a decade, “they have yet to uncover any unknown terrorists. “
As a still and uncomfortable silence fell upon the festival grounds at Roskilde West, Snowden then used the example of the FBI’s spying on Martin Luther King Jr when he was labelled a threat to the political stability of the US back in the 1960’s.
The mood lightened considerably towards the end of the proceedings, as Snowden veered towards discussing solutions to some of the privacy issues that he had addressed previously. He jubilantly stated that it did not matter what one did, as long as one did something, before responding with a refreshing dose of humour to questions from a child in the crowd regarding the length of his jail sentence if convicted of the charges that the US government have filed against him.
The 45-minute address ended in a rendition of “Happy Birthday” from the partisan crowd in honour of the whistleblower’s 33rd birthday last week, followed by a chorus of “pardon Snowden.”

The Local’s not-quite-live Roskilde 2016 blog

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Roskilde Festival spokeswoman Christina Bilde previously stated that Snowden was a perfect fit for this year’s theme on human rights.
“More than anyone else, Edward Snowden has made us aware just how much human rights are challenged. This goes for a small country like Denmark as well where surveillance both in public and on social media challenges the right to privacy; where refugees make us question the right to free mobility; where the right to freedom of speech is debated heavily,” Bilde said.
“His thoughts and experiences will undoubtedly inspire reflection amongst anyone who cares to listen at the festival,” she added.
Earlier this week, Snowden lost a legal battle in neighbouring Norway when the Oslo District Court said it would not handle a lawsuit he filed in April as a way of seeking a guarantee that he will not be extradited if he visits the Norwegian capital to accept an award later this year
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Finding ‘the Orange Feeling’ in Roskilde’s campgrounds

Original article written for The Local Denmark, available here.

Finding 'the Orange Feeling' in Roskilde's campgrounds

The camping grounds provide a good mix of planned as well and spontaneous parties. Photo: Bobby Anwar
In Denmark, Roskilde Festival is seen as both a rite of passage and an annual monumental occasion that attracts young and old in great numbers year after year. But it’s far from just music that draws the crowds.
Camping at Roskilde is one the festival’s central elements – revered, loved, hated and embraced by countless festival-goers. By Monday, Roskilde had already drawn over 50,000 eager campers to its grounds, with a further 70,000 attendees expected over the remaining days, as things kicks into full gear from Wednesday and onwards.
Some of the hardcore campers waited in line for the gates to open since as early as last Tuesday, armed to the teeth with stockpiles of alcohol, camping gear and festival paraphernalia. For early birds of this sort, getting a good camping spot is every bit as important as the overall concert experience. In fact, some of Roskilde’s most memorial parties take place during the warm-up days, which provide a good mix of planned as well and spontaneous parties.
The camp grounds are truly a cocktail of differing emotions. One can experience everything from rowdy teen neighbours with thunderous sound systems that belch out music all night long, to the well-known whiff of portable festival toilets. Yet camps are also a base for all of the festivals guests – sites of endless revelry, a few hours of sleep, masses of mackerel cans and unforgettable experiences.
What is it like to camp at Roskilde?
The Local caught up with some of the festival guests and took a walk around the camping areas to see what it is like to camp at Roskilde festival 2016.
British Artist Daniel Van Der Noon and Kenyan-born musician Kevin Gichuhi Jensen.
Photo: Allan Mutuku-Kortbæk
British Artist Daniel Van Der Noon and Kenyan-born musician Kevin Gichuhi Jensen. 
Daniel, Roskilde West: “We’re obviously loving this. Brexit sucks, but we’re here to party.”
Harry Simpson
Photo: Allan Mutuku-Kortbæk
British/Kenyan student, Harry Simpson, Roskilde West,
“This is my fourth Roskilde Festival and I’m really looking forward to it. I’m camping in the workers’ area for a change and it’s very chilled there!”
Robin Houselstein
Photo: Allan Mutuku-Kortbæk
French rapper and student, Robin Houselstein, Roskilde East.
“It’s my first time here and the scale of it all is mind-blowing. I’m camping with a bunch of friends from Roskilde University in camping area P and we’re having a blast!”

Click map for larger version
Popular camping areas at Roskilde
Camping areas at Roskilde differ in size, scale and nature, depending on where on the map one camps. Some of the most popular areas include:
Roskilde West: Camping Areas C and E
Home to the skate park, basketball courts, beach volleyball courts and beach soccer pitches, West contains some of the largest portable sound systems at the festival. It also contains the warm up music scenes Rising and Street City so one’s eardrums are on a 24-hour shift.
In an effort to shine West up this year, Roskilde Festival has created the Clean Out Loud initiative, which gave residents the chance to book an early camping spot in return for a commitment to leaving the area clean at the end of the festival. The goal this year, according to Roskilde Festival is “to leave the entire section E area clean.”
Mid-Roskilde: Camping Areas G, H and L
Located close to the entrance of the main festival area, this camping section tends to be rather uninspiring and is usually occupied by some of the festival’s younger contingent. Camping areas here are a stone-throw away from the ‘Countdown City’ stage.
Roskilde East:  Camping Areas J, K and P
Roskilde East is also popular amongst younger festival-goers and on sunny days, it is the place to be if one fancies a dip in the swimming lake or a relaxing nap along its beach. Located around a small lake where one can fish, J is a silent area where sound systems are prohibited and an emphasis is placed on keeping things clean.

 

8 key questions ahead of this year’s Roskilde Festival

Original article written for The Local, available here.

As some 130,000 fans prepare to descend on the festival grounds for eight days of music and merry mayhem, we take a look at some of the things we’ll be keep a close eye on during this year’s festival.
1. What will the weather be like?
Look at those blue skies! Will we get them this year as well? Photo: Per Lange
Look at those blue skies! Will we get them this year as well? Photo: Per Lange
Let’s start with the obvious: the perennial weather question that everyone asks themselves ahead of the festival. Festival-goers are particularly keen to hear the forecast for this year’s festival, given as Roskilde comes after a week that has provided both glorious sunshine and ravaging thunderstorms. Which of those will continue through next week? Well, at the time of writing the Danish Meteorology Institute (DMI) was predicting a cloudy albeit mostly dry week ahead, with the exception of Wednesday. However, as always, the unpredictable Danish weather will be certainly a force to be reckoned with.
2. Will the music lineup please or disappoint?
Wiz Khalifa is one of several big hip-hop names at this year's festival. PR photo
Wiz Khalifa is one of several big hip-hop names at this year’s festival. PR photo
Roskilde sold out in good time this year, indicating early signs of impending success. Its music lineup this year features quite a few major hip-hop acts, such as Wiz Khalifa, Action Bronson, House of Pain and Vince Staples. This is a lineup that is inclined more towards an urban sensibility than it is anchored in the rock and metal heritage that has come to define Roskilde over the years.
Still though, there is also plenty on offer for the headbangers, from heavyweights Slayer to Nordic upstarts Kvelertak, and there are acts like Neil Young that should be able to assemble the diverse masses in front of Orange Stage. Will this year’s lineup pay dividends for the organisers?
3. Will the Red Hot Chili Peppers redeem themselves?
RHCP need to redeem themselves in the eyes of Roskilde fans. PR photo
RHCP need to redeem themselves in the eyes of Roskilde fans. PR photo
The last time the Peppers graced the Orange Stage, they bombed abysmally. Their 2007 performance was so roundly slammed by audience members and critics alike, that it was all anyone talked about when they were added to this year’s bill. Will they be able to silence their critics?
4. How will the political message behind the Orange Stage’s opening act go down?
The Syrian National Orchestra and Damon Albarn. Photo: Mark Allen
The Syrian National Orchestra and Damon Albarn. Photo: Mark Allen
The festival’s legendary Orange Stage will be opened this year by the Orchestra of Syrian Musicians, a clear political statement by the organizers given the hot-button issue of how Denmark has reacted to the Syrian refugee crisis. The musicians were scattered across the world as the Syrian Civil War erupted in 2011, but now the 90-strong orchestra will be reuniting for one of their first ever concerts together since fleeing the country. The orchestra, conducted by Issam Rafea, will be joined by none other than Damon Albarn of the Gorillaz and Blur fame, along with other special guests. The show could be one of the most breath taking performances of the entire festival (especially considering that Albarn had to literally carried off the stage the last time he visited Roskilde).
5. How will Roskilde fair against growing competition?
NorthSide, Tinderbox and Copenhell have all crowded in on Roskilde's territory. Photo: Michael Barrettt
NorthSide, Tinderbox and Copenhell have all crowded in on Roskilde’s territory. Photo: Michael Barrettt
Denmark’s music festival scene has really come alive in the last few years, and it seems like more and more huge international stars are gracing stages across the country. This year has already seen the one and only Iggy Pop headline Aarhus’ NorthSide, the multi-award-winning spectacle that is Rammstein come to Funen’s Tinderbox and the British music legends Black Sabbath including Copenhell on their farewell tour.
Roskilde has, of course, still brought some huge names to Denmark once again this year, but will the growing reputations of NorthSide, Tinderbox and Copenhell challenge the dominance of Roskilde as Denmark’s biggest and best music festival? Or will the increase in competition see Roskilde raise the bar to an unprecedented level this year? We are waiting with bated breathes, but only time will tell!
6. Will our Roskilde virgin survive? 
The Local's former intern Chris Manion will be attending his first music festival ever.
The Local’s former intern Chris Manion will be attending his first music festival ever. 
The Local has been covering the festival since we launched in Denmark in 2014, and some of our team have been coming since long before that. But this year, we will also have a ‘Roskilde virgin’ with us. Former intern Chris Manion has not only never been to Roskilde before, he’s never been to a music festival.
“Since coming to Denmark two years ago, my 24-year-old festival virginity seems to be a thing of sheer unbelief,” he said. “Upon informing the inquisitive Dane of my disinterest in music festivals I summarily receive a noise akin to  a dying sea otter, followed by a fantastically enthusiastic ‘ROSKILDE IS THE BEST EXPERIENCE YOU WILL EVER HAVE!’. So this year I’m going to do it, take the plunge, get down and dirty, and see if this Roskilde festival is all it’s cracked up to be.
Don’t worry, us veterans will look out for him.
7. How much of a mess will be left behind?
Another perennial Roskilde query. Once the maddening crowds have left and the camping grounds resemble an apocalyptic dystopia, the question of who will clean up the mess always arises. Roskilde Festival incurs significant expenses each year in mopping up after its hedonistic guests, who leave behind everything from fully functional tents to rich stocks of tinned food. Much of what is abandoned is donated to worthy causes.
8. Will Roskilde fix its ‘collector problem’?
Continuing on the same tangent, Roskilde’s guests drink over one million litres of beer every year, resulting in millions of beer cans spread around the festival grounds. Denmark’s can remuneration system ensures that many of these cans are recycled, thanks to an influx of hundreds of can collectors primarily from Africa and the Roma community at events such as Roskilde. Those collectors help recycle cans and bottles while earning some money for themselves, but their interaction with festival guests isn’t always as happy as in the video above.
The collectors become an underclass that works in poor conditions, often marred by racist overtones and abusive reactions from merrymakers. They have also faced notoriously long lines in recent years to collect their deposits but organizers have worked hard to improve conditions for those who clean up after the rest of us.
The Roskilde Festival begins on Saturday, June 25th and runs through Saturday, July 2nd. The first four days serve as “warm-up” and feature a number of up-and-coming Nordic acts and scores of activities on the campgrounds. The main music line-up begins on Wednesday, June 29th.